A PAGE JUST FOR YOU
Take a look at a page specifically designed for you! I have gone through and compiled some of my best work that relates to the work I have found on your website. Only those with this specific link can view this page. Once you’re done, feel free to look around, or reach out to me.
678.650.1555 cbpbumeter@gmail.com
CHECK OUT WHAT’S NEW
Hey Alchemy team! I have gone through and added some more content that shows some behind the scenes edits of my work. My hope is that this will give you a better insight on my capabilities as a Foley artist and the skills I can bring to the table.
Position: Foley Artist
THE FRAY
FOLEY STEM
This is a Foley Stem of the the film I worked on called The Fray. This cut allows you to get a closer look at my work without any help from SFX.
The full film can be viewed farther down on the page.
Director: Davi Pena.
Position: Live Foley Artist
TRAGEDY OF CARMEN
FOLEY CUT
This is a 6 minute cut of the hour and half Radio Opera, The Tragedy of Carmen. It primarily features my work as the Foley Artist. The trailer for this wonderful show can be found farther down on this page.
This was a very quick edit, please feel free to skip around and view the various scenes that highlight my work on this project.
Director: Sara Widzer
A PORTFOLIO FOR FOLEY
This page is tailored to the team at Alchemy Studios. I have gone through and chosen some of my most recent projects that relate to Foley!
ONOMATO
Position: Foley Artist/Sound Supervisor/Creative Director
This was a film that I initially pitched to my friend as a commercial for the new clothing line he was about to launch. The idea of the film was to create a line of products that represent the sound that you make when you crash, otherwise known as onomatopoeias. As Sound Supervisor I wanted to create a fun and goofy feel that fit the vibe of the brand. We spent 3 hours in the Studio recording skateboard sound effects live to picture.
Position: Live Foley Artist
TRAGEDY OF CARMEN
Utilizing a mix of engaging Sound Effects cued with an Ableton Live Launchpad, and live recorded Foley Performance, I provided the background effects and prop effects for this Radio play style Opera.
I used looped ambiances to help build the spaces my director envisioned. Sat down with the director before rehearsal to get a list of Foley props and ran through the performance on my own to nail down timing. On top of my traditional Foley performance, I also acted and contributed to the story.
Director: Sara Widzer
ODYSSEY
Position: Foley Artist
A crowd Funded Fan Film, that was shot in the Savannah area and at Tybee Island. I was on a team with two other Foley Artists. Since we were trying to replicate the feel of the Star Wars Universe we stayed true to the Sky Walker Studios approach to Foley. To record the sound we used a U87, instead of the industry standard 416 Shotgun microphone.
This Film also went on to win 2 Student Emmy Awards. One being for Sound Design.
Director: Mark Alex Voght Sound Supervisor: Ryan Sullivan
Position: Foley Artist
THE FRAY
An action-heavy film like this requires a lot of low-end hits, and impacts to fully engage the audience. To accomplish this we used a mixture of Contact and Lav Mics strategically placed close to where we were performing.
Director: Davi Pena.
RACING THE SUNSET
Position: Foley Artist/Sound
Supervisor
A SCAD Senior Animation that was accepted into 16 festivals. It for Best Animated Film by both the Alternative Film Festival and the Georgia Shorts Film Festival.
I managed a team of 5 sound designers while overseeing progress and growth with the project. Some of the roles I took up on the project included Foley, Sound Editing, and VO recordist. We had other roles like Re-Recording Mixer, BG Editor, Composer, etc. filled by other sound designers on the team.
Director Nikolas Smith
REDESIGN
NO COUNTRY FOR OLD MEN
Position: Foley Artist/Sound Supervisor/Creative Director
Being a huge fan of the Coen brothers, I set out to redesign one of my favorite scenes from No Country of Old Men.
I find the tension and suspense that is created from the slight subtle movements in the scene gives you chills. I wanted to test my skills with a scene like this by focusing solely on subtle details that can only be captured by an Foley performance.
THANK YOU
Thank you for taking the time review my portfolio. Feel free to explore the rest of my portfolio by continuing on to the home page or clicking my name below.
